Sweeney Todd by Stephen Sondheim
April 15th - 19th 2008 - Theatre Royal, Bury St. Edmunds
Two Reviews of Sweeney Todd at the Theatre Royal
FORGET the Tim Burton film released earlier his year, the definitive version of Sweeney Todd is on stage this week in Bury St Edmunds. If you like your musicals chilling and with a sizable dose of blood, gore and humour, you can’t go wrong with this tale of a murderous barber. Mark Jenner attacked the demanding title role with passion, managing to convey the tragic tale of a barber separated from his beloved wife and child. Sian Notley brought out the humour in the role of Sweeney’s human meat pie-making accomplice Mrs Lovett, a deluded yet cunning woman in love with the tortured murderer and dreaming of a new life running a guest house by the sea (where every once in a while Sweeney could ‘ do the guest in’) Duncan Leech brought a sweet sincerity to the role of Anthony Hope, a sailor in love with Sweeney’s estranged daughter Johanna (Charlotte Couture). The lovebirds displayed fine voices in show- stopping performances of Green Finch and Linnet Bird and Johanna. There were a few minor technical issues on the opening night, one separately covered by the talented musical director Mark Jefferson and his orchestra, but on the whole director and choreographer Sian Couture has created a thrilling production. Catch it if you can.
CAMILLE BERRIMAN (Bury Free Press)
A musical about a gruesome murderer and pies stuffed with human meat, doesn’t sound like a fun night out. Indeed, in the opening scene of Sweeney Todd, the cast of the Irving Stage Company stand in their black costumes, with grey faces and black rimmed eyes, staring menacingly out at the audience, and you wonder what you are in for…. Overcoming early sound system problems, the story of the demon barber (played by Mark Jenner) returning with his sailor friend (Duncan Leech) to seek revenge over the corrupt and creepy Judge (John Meers) and his Beadle, (Neil Murfitt) unfolds. How Sweeney Todd collaborates with his landlady, the pie maker Mrs Lovett, (Sian Notley) keeps the audience on the edge of their seats and just as you think the plot can’t become any darker or more intense, the wonderful Mrs Lovett with superb comic timing and a voice that effortlessly flows, relieves the tension and makes us laugh. Even the spurting blood as the barber’s customers had their throats cut and are tipped down the chute to the bake-house below, allowed the audience a welcome giggle. Stephen Sondheim’s music will always be a challenge to sing but all the principals in this production have good voices and, with the supporting cast, excellent costumes, the swirling smoke on the multi-levelled minimalist set, and very controlled direction (even at the curtain call the cast stayed in character and didn’t crack a smile), this was a performance to remember. Congratulations too to the orchestra, led by Mark Jefferson, and to the younger principals with fine singing voices and commanding stage presence, Mark Kerr (playing Tobias Ragg) and Charlotte Couture (Johanna). My favourite songs? Green Finch and Linnet Bird (Johanna), God, That’s Good (the cast) and the wonderful A Little Priest (Sweeny and Mrs Lovett). Oh yes…. I loved every moment of Mrs Lovett.
RACHEL SLOANE (BBC Radio Suffolk/One Suffolk Website)
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